Masterworks and More!

Alleluia
Arr. Patrick M. Liebergen

The final movement from Mozart's first Regina Ceoli, composed when he was 15. Impressive.

Dies Irae
Arr. Patrick M. Liebergen

An excellent edition with playable keyboard reduction and Latin pronunciation guide. New for men.

Though Philomela Lost Her Love
Arr. Patrick M. Liebergen

Morley's 16th century madrigal can be performed a cappella or with keyboard. For treble choirs.

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Preparing Practical Editions of Choral Masterworks

By Patrick M. Liebergen

Carefully preparing any choral manuscript before submitting it for possible publication is an important part of achieving success as a writer. When creating a manuscript for submission, great attention must be given to every detail on the score in order to completely and clearly represent the musical intention of the composer, editor, or arranger.

10 Ways to Close a Concert

Dim the lights or turn on the spotlight? Encircle the audience or sit quietly together at the edge of the stage? A gasp for breath, wild applause, a tear? How do you want to close your next concert? Here are 10 different possibilities.

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A Tasteful Quintet of Chorals for the Ladies

Looking for something special for your SSA choirs? Here's a possible grouping of 5 titles for a special performance.
• Ricevete (Mozart/Liebergen) - A lilting opera chorus w/opt. flute.
• Sicut Cervus (Palestrina/Robinson) - Beautiful polyphonic writing, a cappella.
• Aya Ngena (Gray) - Authentic Zulu folk song w/opt. percussion/handclaps.
• Homeward Bound (Keen/Althouse) - Heartfelt, simple, elegant, stirring.
• Oh, Dear! (What Can the Matter Be?)(arr. Canfield) - Novelty arrangement w/opening solo.